Meghan McGeary: Reviews

"Under Broadway: New York Holds Subway Auditions"

Meghan quoted on NPR

"Ethereal yet edgy folk"

"Because of their street (performance) cred, Dagmar played their way into WERS' Live Music Week..."

 

DAGMAR Squawk Coffeehouse, Cambridge, MA 4/3/08 A faun told me to seek out a Thursday oddity, and since I always listen to fauns, I climbed a set of stone steps to a giant wood and steel door entering the ominous and inviting Harvard-Epworth Church that hosts the weekly event Squawk Coffeehouse. This is the type of thing Dick Cheney has sweaty nightmares about; you can smell free expression all over this place. The main lights go down and tonight’s featured performers, the eccentric operatic rock duo Dagmar begins. Suddenly we are at the theater! A man who can’t get out of bed and a bug goddess that saves him. Our plot is a sticky leg fiasco of song and story. Jim and Meghan both sing and play seamlessly, bouncing off each other’s invisible rhythms. Meghan beats and blows on various implements of destruction including wind, wood and steel as Jim caresses guitar and piano. Meghan’s vocals are as elegant as they are tempestuous, an operatic equation mathematically accurate and unsettling. Jim’s musicianship and lyrical savoir-faire act like a mad Ferris wheel operator jettisoning us to the top of the ride. Golden bugs dance and swirl as trails of sound and light; Dagmar is for those who like their music impregnated with theater larvae. The next time they perform in Boston I suggest you take a head full of honeydew and trip to the theater. (Dr. Tumblety)

THE BLUE FLOWER BLOSSOMS ON THE UPPER WEST SIDE

"Meghan McGeary gives a tour de force performance"

"The performances are...free of excess, crafted with such extraordinary delicacy that they seem to have been born from the floor of the stage rather than merely stepped onto it from the wings. Darker and richer still are McGeary and LaVerdiere, who best embody the upright-meets-low-down era. Her cold exterior, forged within the fires of resilience, and his ominous grace as history's emcee are the defining forces of the propulsive era."

"(McGeary)'s surreal performance art [pieces]... adds beautiful layers to the production"

"The utterly committed ensemble cast performs as if possessed by their characters, which are inspired by actual personages... Each...performs with consummate skill."

DIONYSIS MEETS OZZY

"At its best, the show simply rocks, performing a misty mountain hop up Mt. Olympus. [The songs] show off the vocal power of the ensemble, making good on the premise that rock opera just might be the best way of conveying the intensity of Greek tragedy to a modern audience."

"Reichel's production . . . surges with animalistic intensity while also retaining a humanity found in Euripides' original . . . Not only do Cunio and Jarvis provide vocally powerful performances, so do Gordon Stanley (as Cadmus, the young men's hedonistic grandfather) and Meghan McGeary (as Pentheus' mother Agave, swept up in Dionysus' siren song)."

THE ROCKAE: I AM A GOLDEN GOD

" all the energy and intensity of a Bacchanalian bash"

"a fierce, loud and heart-pounding rock musical that blends classic with contemporary for a unique and very modern sound"

"Meghan McGeary goes from feisty to heartbreaking as the king's besotted (in every sense of the word) mother."

"...with songs this good, you're only missing out if you're not in the theater. Mills has unleashed... hits which pound through your veins and nerves with the same throbbing potency they surge through the sound system ...generally in the hard-rock mode...[including] the searing lament of Pentheus's mother (Meghan McGeary) over her disastrously devilish behavior."

"excellent voices from each of the 18 company members"

"A sexy good time"

ELECTRIC EURIPEDES

"Ingenious, energetic..."

SOUNDS OF THE SUBWAY

"Summer subway stations can be hot and sticky but underground performers do their best to keep your commute cool. Keep your ears tuned for the dynamic duo Dagmar, with a female vocalist whose soaring vocals match her signature winged appearance."

"UNDERGROUND" MUSIC

"I'm the insect god dess that's come to lift everybody out of their boring day!" announced Meghan McGeary, who kicked off the 20th year of the program by singing and playing drums in the rock-opera duo Dagmar 2.
Wearing a gold bustier and matching high heeled boots, an aviator cap with goggles and a gold- trimmed set of green mesh wings, McGeary sang a quirky song about a guy who can't get out of bed in the morning - and the "insect goddess who plunges from the ether to rescue him."

UNDERGROUND MUSIC: MTA GIVES 21 WINNERS SPECIAL ARTISTIC PLATFORM

Whether they know it or not, subway straphangers have an amazing range of new talent headed their way.

LAYING DOWN TRACKS: MTA's WINNING PERFORMERS ADD BEAT TO COMMUTE

SUBWAY 'IDOL'

'Visually exciting and exotic sounding"

NOTES ON DAGMAR 2

A WING AND A PRAYER: BOY MEETS BUG IN BEVERLY COMPOSER JIM BAUER'S NEW ROCK OPERA

SPOTLIGHT ON DAGMAR - podcast

"In today's spotlight show we focus on Dagmar. Jim Bauer and Meghan McGeary take time to sit down and chat with us. We had a good time discussing how the band formed, their new album "Door No. 1", Meghan's costumes, and much more."

MEGHAN McGEARY NOMINATED FOR OUTSTANDING SUPPORTING ACTRESS IN A MUSICAL

'TITANIC' RESURFACES

"a rousing production", "beautifully voiced"

"Meghan McGeary is the picture of a social-climbing passenger"